[PDF] Download » The Book of Tea: Large Print | by ↠ Kakuzō Okakura

By Kakuzō Okakura | Comments: ( 891 ) | Date: ( Sep 16, 2019 )

The Book of Tea was written by Okakura Kakuzo in the early 20th century It was first published in 1906, and has since been republished many times In the book, Kakuzo introduces the term Teaism and how Tea has affected nearly every aspect of Japanese culture, thought, and life The book is accessibile to Western audiences because Kakuzo was taught at a young age to speakThe Book of Tea was written by Okakura Kakuzo in the early 20th century It was first published in 1906, and has since been republished many times In the book, Kakuzo introduces the term Teaism and how Tea has affected nearly every aspect of Japanese culture, thought, and life The book is accessibile to Western audiences because Kakuzo was taught at a young age to speak English and spoke it all his life, becoming proficient at communicating his thoughts to the Western Mind In his book, he discusses such topics as Zen and Taoism, but also the secular aspects of Tea and Japanese life The book emphasises how Teaism taught the Japanese many things most importantly, simplicity Kakuzo argues that this tea induced simplicity affected art and architecture, and he was a long time student of the visual arts He ends the book with a chapter on Tea Masters, and spends some time talking about Sen no Rikyu and his contribution to the Japanese Tea Ceremony According to Tomonobu Imamichi, Heidegger s concept of Dasein in Sein und Zeit was inspired although Heidegger remains silent on this by Okakura Kakuzo s concept of das in dem Welt sein to be in the being of the world expressed in The Book of Tea to describe Zhuangzi s philosophy, which Imamichi s teacher had offerred to Heidegger in 1919, after having followed lessons with him the year before.


  • Title: The Book of Tea: Large Print
  • Author: Kakuzō Okakura
  • ISBN: 9781981820726
  • Page: 437
  • Format: Paperback

About Author:

Kakuzō Okakura

Okakura Kakuz , also known as Okakura Tenshin , was a Japanese scholar who contributed the development of arts in Japan Outside Japan, he is chiefly remembered today as the author of The Book of Tea.Born in Yokohama to parents originally from Fukui, Okakura learned English while attending a school operated by Christian missionary, Dr Curtis Hepburn At 15, he entered Tokyo Imperial University, where he first met and studied under Harvard educated professor Ernest Fenollosa In 1889, Okakura co founded the periodical Kokka A year later he was one of the principal founders of the first Japanese fine arts academy, the Tokyo School of Fine Arts T ky Bijutsu Gakk , and a year later became its head, although he was later ousted from the school in an administrative struggle Later, he also founded the Japan Art Institute with Hashimoto Gah and Yokoyama Taikan He was invited by William Sturgis Bigelow to the Museum of Fine Arts, Boston in 1904 and became the first head of the Asian art division in 1910.Okakura was a high profile urbanite who had an international sense of self In the Meiji period he was the first dean of the Tokyo Fine Arts School later merged with the Tokyo Music School to form the current Tokyo University of the Arts He wrote all of his main works in English Okakura researched Japan s traditional art and traveled to Europe, the United States, China and India He emphasised the importance to the modern world of Asian culture, attempting to bring its influence to realms of art and literature that, in his day, were largely dominated by Western culture.His book, The Ideals of the East 1904 , published on the eve of the Russo Japanese War, is famous for its opening line, Asia is one He argued that Asia is one in its humiliation, of falling behind in achieving modernization, and thus being colonized by the Western powers This was an early expression of Pan Asianism Later Okakura felt compelled to protest against a Japan that tried to catch up with the Western powers, but by sacrificing other Asian countries in the Russo Japanese War.In Japan, Okakura, along with Fenollosa, is credited with saving Nihonga, or painting done with traditional Japanese technique, as it was threatened with replacement by Western style painting, or Y ga , whose chief advocate was artist Kuroda Seiki In fact this role, most assiduously pressed after Okakura s death by his followers, is not taken seriously by art scholars today, nor is the idea that oil painting posed any serious threat to traditional Japanese painting Yet Okakura was certainly instrumental in modernizing Japanese aesthetics, having recognized the need to preserve Japan s cultural heritage, and thus was one of the major reformers during Japan s period of modernization beginning with the Meiji Restoration.Outside of Japan, Okakura had an impact on a number of important figures, directly or indirectly, who include philosopher Martin Heidegger, poet Ezra Pound, and especially poet Rabindranath Tagore and heiress Isabella Stewart Gardner, who were close personal friends of his.



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  • [PDF] Download » The Book of Tea: Large Print | by ↠ Kakuzō Okakura
    437 Kakuzō Okakura
  • thumbnail Title: [PDF] Download » The Book of Tea: Large Print | by ↠ Kakuzō Okakura
    Posted by:Kakuzō Okakura
    Published :2019-06-18T14:56:21+00:00